Basic Oriental Rug Designs
The term "oriental rug" refers specifically to hand-knotted
rugs from the middle and far east. It defines, however, a very broad
range of styles and design traditions. What distinguishes a great
and original rug design? What combination of pattern and color makes
a design compelling on first impact and sustains our interest day
in and day out? Experts and newcomers have been trying to answer these
questions for centuries!
Most oriental rugs can be categorized into one of the following basic
design families:
Aubussons
are formal rugs with an ornate central medallion
surrounded by an open field which often has a delicate floral motif.
Aubusson rugs are traditionally used in formal living rooms, dining
rooms and bedrooms.
Bokharas
are more informal, containing rows of a repeating geometric figure
surrounded by an elegant border. Bokharas generally have no more than
five colors.
Chinese
pattern rugs are formal rugs with broad fields of color and bold,
simple patterns. Hand embossing of design motifs accentuates the pattern
and color.
Floral
patterns are elegant formal rugs, with or without a central medallion,
and rounded floral patterns. These rugs are extremely intricate, and
can contain as many as thirty colors.
Geometric
patterns are informal rugs that generally have a central medallion.
These "masculine" rugs are rectilinear and heavily patterned,
and are traditionally used in dens, libraries, and family rooms.
European Designs
bear the strong influence of decorative fabric patterns and can be
both formal and informal - as those influenced by the Arts & Crafts
Movement of the late 19th Century.
Design Elements
Look closely at an oriental rug, and you will begin to see the world of
nature come to life. Flowers, trees, stars, snowflakes, birds, fish,
and butterflies are but a few of the many traditional design elements
favored by weavers. Often, these elements have been stylized beyond
immediate recognition; indeed, a weaver may not be so much interested
in accurately depicting a particular element as he is in using that
element, with others, to create a pattern that is in itself a work
of art.
Religious Significance?
The designs of many oriental rugs do have roots in religious and
cultural traditions. Muslims, for example, are forbidden by the
Koran to depict living creatures in any art form. To the weaver
from China, a dragon is a revered symbol of benevolent power who
rules over nature. Beyond these various traditions, however, there
is no particular "meaning" to a rug's design; a rug cannot
be deciphered! A weaver from a particular culture will simply incorporate
the traditional symbols and design elements which he or she enjoys.